In a surprising turn of events, Disney’s latest live-action adaptation of “Snow White” has experienced a staggering 70% drop in box office earnings during its second weekend, raising eyebrows in Hollywood. Initially projected to perform reasonably well, the film’s dismal performance has left critics and audiences alike questioning the viability of Disney’s recent slate of remakes.

The film, starring Rachel Zegler, was anticipated to connect with viewers, but has instead drawn a wave of disappointment. While insiders initially speculated a more modest decline of around 53%, the reality of its 70% plunge has sent shockwaves through the industry. Even Disney’s staunchest supporters are expressing sympathy for the iconic studio, as “Snow White” struggles to compete with other films, including “Working Man,” which has emerged as a surprising contender at the box office.

In the aftermath of this cinematic misfire, Rachel Zegler has become a controversial figure, with reports indicating that Disney insiders are unfairly scapegoating her for the film’s failure. Vanity Fair recently highlighted the backlash against Zegler, suggesting that attempts to defend her have backfired, further complicating the film’s narrative.

As the dust settles, there is speculation that “Snow White” could end its theatrical run with losses exceeding $300 million, positioning it alongside other major flops like “The Marvels.” This comparison has ignited discussions about which film will ultimately be recognized as the biggest box office disaster in history, as both titles grapple with their respective failures.

With audiences increasingly selective about their moviegoing choices, Disney’s challenges underscore a significant shift in the entertainment landscape. The studio’s struggle to connect with modern audiences raises questions about the future of its beloved franchises and the direction of its upcoming projects. As “Snow White” continues its downward trajectory, the industry watches closely to see if this trend signifies a broader decline in the appeal of classic adaptations.