In a shocking turn of events, Rachel Zegler’s latest theatrical endeavor in London, a high-profile production of “Evita,” is floundering as ticket sales plummet to alarming lows. Despite the star’s previous acclaim, including a Golden Globe for “West Side Story,” the London Palladium stands eerily silent with every seat available for June performances, painting a grim picture for the aspiring actress.

As the stage lights dimmed for what was expected to be a glittering opening, the reality of Zegler’s situation became painfully clear. A traffic light system on the ticket website reveals an all-green status—indicating a complete lack of interest from theatergoers. In stark contrast, other concurrent productions, such as John Lithgow’s show, boast limited ticket availability, emphasizing Zegler’s notable absence of drawing power.

This dismal ticket performance follows the recent debacle surrounding Disney’s “Snow White,” which, despite crossing the $200 million mark globally, is drowning in losses estimated at around $200 million due to its massive production budget and marketing failures. Critics lambasted the film, with a woeful 37% approval rating, further complicating Zegler’s ascent in Hollywood.

Her attempts to reshape the iconic Snow White narrative, including controversial remarks about the original film’s themes, have alienated potential fans and raised eyebrows among industry insiders. As Zegler steps onto the London stage, the question looms: can she reclaim her footing in an industry that seems increasingly disconnected from audience desires?

With the stakes higher than ever, this situation serves as a cautionary tale about the perils of Hollywood’s relentless push for stardom without solidifying audience connections. As Zegler navigates this tumultuous chapter, the future of her career hangs in the balance, leaving fans and critics alike to wonder if this will be a turning point or a further plunge into obscurity.