In a shocking turn of events, Rachel Zegler’s much-anticipated West End debut in “Evita” is stumbling before it even opens, with ticket sales plummeting to alarming lows. As the London Palladium’s seating charts display a disheartening sea of empty seats, her team has hastily pointed fingers at online critics, claiming social media is the root cause of this box office flop. However, the reality appears far more complex and troubling.
