**Rachel Zegler’s Stage Debut Faces a Dismal Box Office: Is Social Media to Blame?**
In a shocking turn of events, Rachel Zegler’s much-anticipated West End debut in “Evita” is stumbling before it even opens, with ticket sales plummeting to alarming lows. As the London Palladium’s seating charts display a disheartening sea of empty seats, her team has hastily pointed fingers at online critics, claiming social media is the root cause of this box office flop. However, the reality appears far more complex and troubling.
Zegler, once hailed as Hollywood’s next big sensation after her breakout role in Spielberg’s “West Side Story,” now finds herself in a downward spiral of public indifference. Despite her impressive credentials—including a Golden Globe win and a lead role in Disney’s live-action “Snow White”—audiences seem to be tuning out. With tickets starting at just £29, the fact that thousands of theatergoers are choosing to stay away signals a much deeper disconnect.
Critics argue that it’s not just a few harsh comments on TikTok driving audiences away, but a pattern of behavior that has alienated her fanbase. During promotional appearances for “Snow White,” Zegler made headlines for her dismissive remarks about the original film, branding it “weird” and “outdated.” This apparent disdain for beloved classics has left a sour taste, prompting fans to question whether her new rendition of “Evita” is worth their time and money.
Industry insiders are now quietly distancing themselves from Zegler, with co-stars notably absent from the promotional spotlight, raising eyebrows about the production’s atmosphere. The London theater community, known for its supportive nature, is uncharacteristically silent, suggesting that the buzz surrounding Zegler has fizzled out.
As the opening night looms, the stakes are high. Zegler’s reputation hangs in the balance, and while Hollywood loves a comeback, it often requires a willingness to acknowledge and rectify past missteps. For now, the chorus of empty seats speaks volumes, and the narrative of blame may need a significant shift if Zegler hopes to reclaim her place in the spotlight.