**Headline: Rachel Zegler’s Star Dims as Latest Film Faces Distribution Woes: Is Her Hollywood Reign Over?**

Rachel Zegler, once heralded as Hollywood’s shining new star, is facing a dramatic downturn as her upcoming film, *She Gets It From Me*, struggles to find a distributor. The comedy-drama, where Zegler plays the daughter of Marissa Toé, is being pitched at the Cannes Film Festival, but with no guarantees of success. This marks a striking shift from her previous high-profile roles, including Disney’s $300 million *Snow White*, leaving many to wonder if her Hollywood dreams are unraveling.

The film’s premise—a daughter reconnecting with her estranged punk-rock mother—has elicited skepticism, particularly around Zegler’s casting. Critics are quick to point out that the resemblance between her and Toé is less than compelling, with some humorously suggesting that a romance with E.T. would be more believable. Yet, the film’s low-budget aspirations and lack of a major distributor position it as a stark contrast to Zegler’s prior projects.

Industry insiders note that Zegler has yet to prove her box office draw, with her films failing to exceed a $50 million opening. This is a precarious position for someone once positioned as a leading lady in major productions. With the current trajectory of her career, it seems Zegler may need to pivot to smaller roles or indie films to regain favor with audiences after facing backlash for her previous comments during promotional tours.

In an era where social media amplifies public perception, Zegler’s rapid rise and fall serves as a cautionary tale of Hollywood’s fickleness. The buzz surrounding her casting in *West Side Story* has evaporated, leaving her navigating the harsh realities of an industry that often discards talent just as swiftly as it elevates them. As *She Gets It From Me* attempts to carve out its niche, the question remains: can Zegler reclaim her status, or is this the beginning of the end for her Hollywood ambitions?